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The different depiction of television in robert pinskys poem to television

Save A master of improvisation, Robert Pinsky moves among ideas or images the way Charlie Parker moves in melody. His poems seamlessly telescope between cosmos and computers, God and green pianos, Hermes and a vintage Oldsmobile. A poet, translator, essayist, teacher and popularizer, Pinsky was Poet Laureate of the United States for an unprecedented three terms 1997-2000.

He may be the most inspiring American poet working today. His work is melodic in the sense that he does not shy away from rhyme and refrain. Stylistically, his work has a great range of technical complexity. We have culled its cost and quality Down to the buttons of simulated bone. The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail.

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The shape, The label, the labor, the color, the shade. Thirsty and languorous after their long black sleep The old gods crooned and shuffled and shook their heads. By railroad they set out Across the desert of stars to drink the world Our mouths had soaked In the strange sentences we made While they were asleep: Like all great poetry, it is meant to be heard rather than read upon a page. As for his accomplishments as a poet, they are far too many to list.

  • Such sharing may have more to do with the health and survival of an art than the official world of grants, prizes, curricula, and so on;
  • When I was a kid I wanted to be a jazz musician;
  • I don't think there's any guarantee of quality;
  • This is a fantastic poem by Robert Pinsky;
  • And each different reader in each different mood will want something different;
  • This strange poem, not readily recognizable as Pinskyesque, has an air of having insisted on existing against all odds—that is, it seems like something fiercely scribbled in a notebook and not yet tamed into poeticality.

New and Collected Poems 1965-1995. His collection of essays, Poetry and the World, was nominated for the National Book Critics Circle award in criticism.

His latest collection of poems is Jersey Rain.

During the one-year open call for submissions, 18,000 Americans wrote to the project volunteering to share their favorite poems—Americans from ages five to 97, from every state, of diverse occupations, kinds of education and backgrounds. From those thousands of letters and e-mails, the project has culled several enduring collections. He teaches in the graduate writing program at Boston University.

Last week, he discussed his work with the Weekly via e-mail.

Your tenure as US Poet Laureate was highlighted by the Favorite Poem Project, in which people from across the United States introduced their favorite classic and contemporary poems. What is your favorite poem and why? Both poems became central for me when I was about seventeen years old and falling in love with poetry.

Both are about the mystery, glamour, pain and yearning of art.

They treat art, and the art of poetry, with spiritual grandeur. They attain that feeling of spiritual grandeur in terms that are not Christian or Jewish. They make the adventures and struggles of the imagination heroic, in terms that have nothing to do with battle or warfare. There is a music to your poetry and I understand you are also a musician in addition to being a poet.

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What do you play and what do you listen to? What is the relationship between your music and your poetry and between music and poetry in general? When I was a kid I wanted to be a jazz musician: The tenor saxophone was my instrument. Truly, I was never a very good musician, though I wanted to be, deeply.

I try to do with the sounds and rhythms of words, with the colors and perfumes of sentences, what I could not do with the horn. Poetry, itself, is partway between singing and speaking.

They demonstrate that great principle. So poetry is inherently—by the nature of the medium—on an individual, human scale. That human scale makes poetry all the more valuable in a time of mass media. This is not to say that mass media cannot be wonderful.

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Great works of art are sometimes made in mass media. But poetry has that special intimacy.

  1. Someone, and a corrupt politician, and a maniacal cult leader. What messages about women and power do these fictional representations of female politicians send?
  2. As for his accomplishments as a poet, they are far too many to list.
  3. I don't care about all that. From those thousands of letters and e-mails, the project has culled several enduring collections.

At the same time, the art uses language—something everybody uses every day. So in addition to that intimate, human scale, the art is uniquely public and universal.